Man Na Kariye Ri. Raga: Gaud Malhar. Taal: Teentaal

Mallikarjun Mansur
Mallikarjun Mansur recorded Man Na Kariye Ri in an undated Hindustani classical performance. The 1900s piece features raga Gaud Malhar with intricate taans and blends devotion and monsoon themes.
Credits
Featured Artists

About Man Na Kariye Ri. Raga: Gaud Malhar. Taal: Teentaal

Man Na Kariye Ri is a Hindustani classical vocal recording by Mallikarjun Mansur. The performance features the raga Gaud Malhar and is set to Teentaal, a 16-beat rhythmic cycle. Mallikarjun Mansur, a prominent exponent of the Jaipur-Atrauli gharana, recorded this piece during his career, though the exact release date remains undocumented. The composition follows the traditional khayal form, emphasizing melodic elaboration and rhythmic interplay.

The recording showcases Mansur’s characteristic vocal style, marked by intricate taans, gamak-laden phrases, and a deep exploration of the raga’s emotional range. Gaud Malhar, a variant of the Malhar family, incorporates elements of Gaud Sarang and Malhar, creating a blend of devotion and monsoon imagery. The performance adheres to the conventions of khayal gayaki, progressing from slow, meditative alap to faster, rhythmic passages.

No specific label or album title is associated with this recording in available sources. The piece is often performed in live concerts and archival collections rather than as part of a formal studio release. Notable features include Mansur’s use of bol-bant and sargam, techniques that highlight the raga’s structure and his command over vocal agility.

Mallikarjun Mansur (1910–1992) was a leading vocalist of the 20th century, recognized for his mastery of rare ragas and his contributions to the Jaipur-Atrauli tradition. His interpretations of Gaud Malhar, among other ragas, remain influential in Hindustani classical music. The exact year of this recording’s release or performance is not confirmed in public records.