Melodic Intersect: One Vision

Melodic Intersect: One Vision

2015
 Enayet-Hossain
Enayet Hossain
Hidayat Khan is a sitar player.
Hidayat Khan
Indradeep-Ghosh
Indradeep Ghosh
Shakir Khan is a sitar player. He is one of the most promising young.
Shakir Khan
7 tracks 1h 5m
Melodic Intersect released One Vision on July 15, 2015, fusing North Indian classical instruments with electronic production, featuring Hidayat Khan on sarod and Hans Utter on synths.
7 tracks • 1h 5m
# Title
7 tracks Total: 1h 5m

About Melodic Intersect: One Vision

Melodic Intersect: One Vision is a collaborative studio album released under the ensemble name Melodic Intersect. The project features Enayet Hossain on sitar, Hidayat Khan on sarod, Indradeep Ghosh on tabla, Shakir Khan on tabla, and Hans Utter on electronic production. The album emerged from a fusion of North Indian classical traditions with electronic and ambient soundscapes.

The album launched on July 15, 2015, through the German label Aimrec. The primary format was a physical CD, with distribution coordinated for international markets. The release coincided with a live performance event on the same date, though specific venue details remain undocumented in available sources.

The recording comprises seven tracks that blend raga-based improvisation with synthesized textures. The opening composition Dawn Approaches establishes a meditative framework with layered tanpura drones and gradual rhythmic development. Lover’s Promenade Part 1 and Part 2 form a diptych exploring the vilambit (slow) and drut (fast) sections of a raga, with Khan and Hossain exchanging melodic phrases over Ghosh and Shakir Khan’s percussive cycles. Euphoria introduces electronic arpeggios alongside sarod and sitar lines, while Vishnu’s Spaceship incorporates processed tabla samples into a rhythmic collage. Beatnosis emphasizes trance-inducing pulses, and the closing track Journey Home returns to acoustic instrumentation with a reflective jhala-style conclusion.

Critical reception at the time noted the album’s role in expanding cross-genre dialogue between classical Indian music and Western electronic production. The collaboration marked a departure for Khan and Hossain, both primarily known for traditional performances, while Utter’s involvement linked the project to Berlin’s experimental music scene. No commercial sales figures or chart positions are publicly recorded. Subsequent live iterations of Melodic Intersect occurred sporadically, though no further studio releases under the same configuration have been confirmed as of 2024.