Mayer Payer Joba

Mayer Payer Joba

2001
Black-and-white portrait of a young man with neatly styled hair, looking directly at the camera with a calm and slightly serious expression. He is wearing a collared shirt, and the image has a clean, studio-style background with a vintage appearance.
Pannalal Bhattacharyya
22 tracks 1h 7m
Pannalal Bhattacharyya released Mayer Payer Joba in 2001, a 22-track Bengali album of Shyama Sangeet honoring Hindu goddess Shyama with classical vocal interpretations.

About Mayer Payer Joba

Mayer Payer Joba is a studio album of Bengali devotional songs performed by vocalist Pannalal Bhattacharyya. The album released on August 1, 2001 in CD format under an unspecified label. The collection comprises 22 tracks, primarily centered on themes of devotion to the Hindu goddess Shyama (a regional form of Kali).

Bhattacharyya interprets traditional Shyama Sangeet (songs dedicated to Shyama/Kali) with a vocal style rooted in the Bengali classical and semi-classical traditions. The album opens with Shyama Ma Ki Amar Kalo, a composition invoking the divine mother’s grace. Other notable tracks include Kalo Meyer Payer Tolae, which references the goddess’s feet as a symbol of refuge, and Mon Tomar Ae Vram Gelo Na, a song expressing the devotee’s inability to uphold vows before the divine. Ashar Asha Bhobe Asha and Moneri Basona Shyama further explore themes of hope and spiritual dwelling in the goddess’s presence.

The track Chintamoyi Tara Tumi addresses Shyama as the embodiment of contemplative wisdom, while Sokoli Tomari Echcha affirms surrender to her will. The title track, Mayer Payer Joba Hoye, serves as a central devotional piece, celebrating the act of bowing at the mother’s feet. Additional compositions like Ami Sokol Kaje Pai He Somoy and Amar Chetona Chaitannyo Kore reflect on time, consciousness, and divine awakening. The album maintains a consistent lyrical focus on bhakti (devotion) through poetic Bengali verses, accompanied by minimal instrumental arrangements typical of the genre.

The release date and tracklist confirm the album’s place in Bhattacharyya’s discography, though specific production details, collaborating musicians, or the recording label remain undocumented in available sources. The work aligns with his broader contributions to Shyama Sangeet, a devotional music tradition prominent in West Bengal and Bangladesh.

Musicians

Record Label

Catalog Number: CD NF142347