Mahima

Mahima

2003
The image accompanies an article about an Indian classical slide-guitar maestro known for innovations in Hindustani slide guitar, instrument design, global performances, and music education, with multiple prestigious awards and recognitions.
Debashish Bhattacharya
Bob-Brozman
Bob Brozman
11 tracks 53m
Debashish Bhattacharya and Bob Brozman released Mahima in 2003, fusing Hindustani raga with blues via Hawaiian and Indian slide guitars.
11 tracks • 53m
# Title
6:01
3:06
4
Maa
5:23
3:49
4:52
7:36
3:57
11 tracks Total: 53m

About Mahima

Mahima is a collaborative studio album by Indian slide guitarist Debashish Bhattacharya and American guitarist and ethnomusicologist Bob Brozman. Riverboat Records released the album on June 17, 2003, in CD format. The recording marks a fusion of Hindustani classical music, blues, and global folk traditions, showcasing the artists’ shared interest in slide guitar techniques across cultural contexts.

Debashish Bhattacharya contributed his signature adaptations of the Hawaiian guitar, modified for Indian classical raga structures, while Bob Brozman integrated elements of Delta blues, Hawaiian slack-key, and world music. The album comprises 11 tracks that blend original compositions with reinterpretations of traditional material. Notable tracks include Bahu Dur Dur, a raga-inspired piece featuring Bhattacharya’s intricate slide work, and Tagore Street Blues, a fusion of blues progressions with Bengali poetic influences. Maa and Jibaner Gan reflect devotional and folk themes, while Digi Digi Dom Dom and Loomba Re Loomba incorporate rhythmic patterns from Indian percussion traditions.

The track Sur-o-Lahari highlights the artists’ improvisational interplay, combining Brozman’s resonant slide phrasing with Bhattacharya’s melodic ornamentation. Konkani Memories draws from the coastal music of Goa, and Lullabai closes the album with a meditative lullaby arrangement. The production emphasizes acoustic textures, with minimal overdubs to preserve the live-duo dynamic.

Critical reception at the time noted the album’s cross-genre experimentation, though specific commercial performance data remains undocumented. Mahima stands as one of several collaborations between Bhattacharya and Brozman, following their earlier work on Naga Raga (2000) and preceding Rollin’ and Tumblin’ (2005). The 2003 release event coincided with promotional tours in Europe and North America, where the duo performed selections from the album.

The physical CD includes liner notes by both artists, detailing the cultural and technical aspects of their collaboration. No digital reissues or expanded editions have been confirmed as of the latest available records.

Record Label

Catalog Number: TUGCD1029