Ghazals

1999
Black-and-white portrait of a young man with neatly styled hair and a thin moustache, looking directly at the camera with a composed expression. He is wearing a patterned traditional outfit, and the image has a vintage, archival quality.
Ustad Amanat Ali Khan
14 tracks 1h 9m
Amanat Ali Khan released Ghazals in 1999, a 14-track album blending Urdu poetry with Patiala gharana vocals and minimal harmonium-tabla accompaniment.

About Ghazals

Ghazals is a studio album by Pakistani classical and ghazal vocalist Amanat Ali Khan. Released on January 1, 1999, the album features 14 tracks in the traditional ghazal genre, blending elements of Indian classical music with poetic Urdu verse. The recording was issued in CD format, though the producing label remains undocumented in available sources.

Amanat Ali Khan selected a repertoire of classical and semi-classical compositions for the album. The tracklist includes notable ghazals such as Dil Mein Meethay Meethay, Honton Pe Kabhi, and Aa Mere Pyar Ki Khushboo, each characterized by Khan’s distinctive vocal phrasing and adherence to the khayal and thumri traditions. Other prominent tracks feature Kabhi Jo Nikhat-e-Zulf, Yaar Ko Main Ne, and Yeh Na Thi Hamari Qismat, the latter based on a poem by Mir Taqi Mir. The album also incorporates Ik Khalish Ko Hasil, Ae Dila Hum Howay, Maze Jahan Kay, and Jo Guzri Mujh Pe, among others.

Khan’s renditions in Ghazals emphasize improvisational taans and murkis, supported by minimal instrumental accompaniment typical of the genre. The arrangements primarily feature the harmonium, tabla, and occasional sarod or santoor, though specific session musicians are not credited in public records. The album’s production reflects the late 1990s revival of ghazal music in South Asia, catering to audiences familiar with both classical and light classical forms.

The release date aligns with Khan’s active period as a leading exponent of the Patiala gharana, a school known for its robust vocal techniques. While Ghazals received circulation in Pakistan and among diaspora communities, exact sales figures or chart performances remain unverified. The album contributes to Khan’s discography as a representative work of his mature style, bridging traditional ghazal structures with contemporary recording practices of the era.

Musicians

Record Label

Catalog Number: SRBC/FT-MPG-010