Raga Bhairav Release Group

Raga Bhairav

First released 1994
Color portrait of an elderly man with neatly combed grey hair and a moustache, smiling gently. He is wearing a traditional outfit with a floral-patterned vest. The background features a garden setting with greenery and flowers, softly out of focus.
Vijay Kichlu
1 Release 3 tracks CD
Vijay Kichlu released Raga Bhairav in 1994, a khayal-style Hindustani album featuring a dawn raga with Alap, Jor, and Vilambit Bandish in Tintal.

Tracklist (Primary Release)

# Title
1
24:02
2
Jor
21:17
3 tracks

About Raga Bhairav

Raga Bhairav is a 1994 studio release by Indian classical vocalist Vijay Kichlu. The album presents a rendition of Raga Bhairav, a morning raga in Hindustani classical music traditionally performed at dawn. Kichlu performs the composition in the khayal style, adhering to the raga’s structural and melodic conventions.

The release comprises three tracks that follow the classical raga vadana progression. The opening Alap establishes the raga’s framework through a slow, meditative exploration of its swaras (notes). The second track, Jor, introduces rhythmic pulse while maintaining the raga’s introspective character. The final track, Vilambit Bandish in Tintal, features a composed melody (bandish) set to the 16-beat tintal cycle, showcasing Kichlu’s vocal phrasing and improvisational techniques.

The recording captures Kichlu’s interpretation of Raga Bhairav with minimal accompaniment, emphasizing the raga’s shuddha (pure) and komal (flattened) notes. The album’s production reflects the acoustic traditions of Hindustani vocal music, though specific details about accompanying artists, recording location, or label remain undocumented in available sources. The release date is listed as January 1, 1994, but the exact format (LP, cassette, or CD) is not confirmed.

Kichlu’s rendition aligns with the Gwalior gharana influences present in his broader repertoire, characterized by a balanced approach to taan (melodic runs) and layakari (rhythmic play). The album serves as an example of late 20th-century Hindustani classical vocal recordings, preserving the raga’s traditional essence while adapting to contemporary recording practices.