Thumri Bhairavi: O Mero Ram Jiya Na Lage
About Thumri Bhairavi: O Mero Ram Jiya Na Lage
Parween Sultana recorded Thumri Bhairavi: O Mero Ram Jiya Na Lage for the album Rare Melodies. The track appears as the fourth entry on the release and spans a duration of 4 minutes and 50 seconds. Saregama issued the album on compact disc in 1999.
The composition belongs to the thumri genre and employs Raga Bhairavi, a raga traditionally associated with early morning performances and devotional themes. Sultana renders the piece in a semi-classical style, blending lyrical expressiveness with the rhythmic flexibility characteristic of the thumri form. The lyrics center on themes of longing and devotion, addressing the divine in an intimate, conversational tone.
The album Rare Melodies compiles selections from Sultana’s repertoire, emphasizing lesser-known or archival recordings. Saregama, a prominent Indian music label, produced and distributed the release as part of its classical and semi-classical catalog. The tracklist includes works from multiple genres, though specific details about the remaining compositions remain undocumented in the provided context.
Parween Sultana established herself as a leading exponent of Indian classical and semi-classical vocal music, particularly noted for her command over thumri, dadra, and ghazal. Her interpretations of Raga Bhairavi frequently highlight her ability to convey emotional depth through subtle vocal modulations and improvisational phrasing. The 1999 release reflects her artistic maturity during the late 20th century, a period marked by extensive live performances and studio recordings.
The recording quality and production values of Rare Melodies align with Saregama’s standards for classical music releases of the era. The album’s liner notes, if included, likely provide contextual information about the selected tracks, though their content is not specified in the available details. The compact disc format allowed for wider dissemination of Sultana’s work among audiences in India and the diaspora during the late 1990s.