Shantakaram - Viruttam - Govardhanagiri

T. M. Krishna
25:17
T. M. Krishna released Shantakaram – Viruttam – Govardhanagiri in 1999, a 25-minute Carnatic live recording from Chennai’s Margazhi Festival, featuring a Tamil viruttam in raga Govardhanagiri.
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About Shantakaram - Viruttam - Govardhanagiri

Shantakaram – Viruttam – Govardhanagiri is a Carnatic vocal composition performed by T. M. Krishna and released as part of a live recording from the December Season 1999. The track appears as the sixth piece on an album issued under the label Charsur Digital Workstation in 1999, formatted as a compact disc (CD).

The performance spans 25 minutes and 17 seconds, centering on the viruttam (a lyrical verse in Tamil or Sanskrit) set to the raga Govardhanagiri. The composition invokes themes of tranquility, with Shantakaram (an epithet for divine calm) as its focal lyrical motif. Krishna renders the piece in the traditional katcheri (concert) style, accompanied by instrumental support typical of Carnatic ensembles, though specific accompanying artists for this track remain undocumented in available sources.

The recording captures a segment of Krishna’s early public performances, predating his wider recognition in the 2000s. The December Season refers to the annual Margazhi Music Festival in Chennai, a month-long series of Carnatic music concerts held during the Tamil month of Margazhi (December–January). Charsur Digital Workstation, the producing label, specialized in archiving live Carnatic performances during this period, though detailed production credits for this release are not fully preserved.

No commercial reissues or digital remasters of this specific track have been confirmed. The original CD release circulates among collectors of Krishna’s discography, with the viruttam format distinguishing it from his later kriti-based or thematic albums. The composition’s structure adheres to classical conventions, emphasizing raga alapana (improvisation), neraval (lyrical elaboration), and kalpana swaram (spontaneous melodic variations), though a breakdown of these sections in the recording is not explicitly cataloged.