Raga Madhuvanti: Thumri in Raga Misra Mand 'Morey Saiyan Bedardi' in Keherva

\"Morey Saiyan Bedardi\" is a thumri in Raga Misra Mand set to Keherva taal, performed by vocalist Kaushiki Chakrabarty. The recording spans 17 minutes and 25 seconds and features an interpretation of the raga with elements of Madhuvanti, a raga traditionally associated with late evening performances in the Hindustani classical tradition.

The composition follows the thumri style, characterized by expressive, lyrical phrasing and rhythmic flexibility. Chakrabarty renders the piece with improvisational alaap-like passages interspersed with the composed text. The lyrics center on themes of longing and playful reproach, typical of the thumri repertoire. Accompaniment details remain undocumented in available sources, but the format suggests a standard ensemble of tanpura, tabla, and possibly harmonium or sarangi.

The performance date and release year are not explicitly stated in the provided context. No label or commercial release information is confirmed. The track title references Raga Madhuvanti in its descriptive phrasing, though the primary raga framework adheres to Misra Mand, a compound raga blending Mand with Khamaj thaat influences. The Keherva taal (8-beat cycle) provides a light, dance-like rhythmic foundation, complementing the thumri’s emotive delivery.

Kaushiki Chakrabarty, a exponent of the Patiala gharana, is known for her renditions of semi-classical forms, including dadra, kajri, and thumri. This recording exemplifies her approach to blending classical rigor with the folk-inflected expressiveness of thumri. Further metadata, including live performance venue, recording session details, or producer credits, is absent from the available context.