Raga Lalit Pancham: Tarana

Ulhas Kashalkar
2:37
Ulhas Kashalkar released Raga Lalit Pancham: Tarana in 2007 on Nilaya, featuring a 2:37 tarana in the Gwalior gharana style.
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About Raga Lalit Pancham: Tarana

Ulhas Kashalkar recorded Raga Lalit Pancham: Tarana as the sixth track on the album Nilaya. The composition features a tarana, a vocal form in Hindustani classical music characterized by rhythmic syllables and melodic improvisation. The track spans 2 minutes and 37 seconds.

Nilaya released on 2007 under the label Sense World Music in CD format. The album showcases Kashalkar’s interpretation of traditional ragas, with Raga Lalit Pancham as a central piece. The recording captures the artist’s adherence to the Gwalior gharana style, known for its emphasis on khayal and tarana renditions. No additional session musicians or accompanying artists are documented in available sources for this track.

The album title Nilaya translates to \"abode\" or \"sanctuary\" in Sanskrit, reflecting the meditative and introspective quality of the selected ragas. The label Sense World Music specialized in world music and classical traditions during the release period, though specific production details for this album remain undocumented. The tracklist sequence and liner notes, if included in the original CD, are not publicly archived in full.

Kashalkar’s performance in Raga Lalit Pancham: Tarana aligns with his broader discography as a vocalist and scholar of Hindustani classical music. The raga Lalit Pancham belongs to the Kafi thaat and is traditionally performed in the late evening. The tarana structure in this recording follows conventional patterns, with sargam (solfège) and bol-taan (rhythmic syllable patterns) interwoven into the improvisation.

No live performance footage, alternate versions, or re-releases of this track are confirmed in accessible records. The album Nilaya remains a studio production, with distribution primarily through physical media at the time of release. Further details on recording locations, engineers, or mastering processes are not available in public sources.