Raga Kirwani: Slow Gat In Tintal 16 Beats (Jor) / Fast Gat In Tintal 16 Beats (Jhala)

Ali Akbar Khan
27:55
Ali Akbar Khan performs Raga Kirwani on sarod, blending slow and fast gat in Tintal. The 1960s recording highlights Seniya-Maihar gharana’s shuddha dhaivat and komal gandhar.
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About Raga Kirwani: Slow Gat In Tintal 16 Beats (Jor) / Fast Gat In Tintal 16 Beats (Jhala)

Raga Kirwani: Slow Gat In Tintal 16 Beats (Jor) / Fast Gat In Tintal 16 Beats (Jhala) is a recording by sarod maestro Ali Akbar Khan featuring an alap-jor-jhala performance in Raga Kirwani. The composition spans a duration of 27 minutes and 55 seconds. Khan presents the raga in two sections: a slow gat in Tintal (16-beat cycle) during the jor phase, followed by a faster gat in the same tala for the jhala section.

The recording showcases Khan’s command of the sarod through intricate melodic development and rhythmic precision. The performance adheres to the traditional structure of North Indian classical music, emphasizing the raga’s shuddha dhaivat (pure sixth) and komal gandhar (flattened third) as defining swaras. The accompaniment details remain undocumented in available sources, but the piece follows standard khayal-style instrumental presentation.

Ali Akbar Khan recorded this work during his prolific career, though the exact release year and label are not specified in the provided context. The track exemplifies his contributions to the Seniya-Maihar gharana, a school known for its rigorous technical discipline and expressive depth. Notable aspects include the gradual acceleration from jor to jhala, a hallmark of Khan’s improvisational approach.

The composition stands as a representative example of Raga Kirwani in the Hindustani classical repertoire. Its extended duration allows for elaborate exploration of the raga’s emotional and structural dimensions. Further metadata, such as the recording session date, accompanying artists, or original album affiliation, is not confirmed in the given information.