Raga: Gujari Todi

Sanjeev Abhyankar
29:14
Sanjeev Abhyankar performed Gujari Todi, a 29-minute khayal in the Todi thaat, on 1994 album Soaring Heights, showcasing Jaipur-Atrauli gharana traditions.
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About Raga: Gujari Todi

Gujari Todi is a khayal performance in the raga of the same name, rendered by vocalist Sanjeev Abhyankar. The track appears as the second composition on the album Soaring Heights, released on CD by Saregama in 1994. The recording spans 29 minutes and 14 seconds, showcasing Abhyankar’s interpretation of the raga within the framework of the Jaipur-Atrauli gharana.

The album Soaring Heights marks an early commercial release in Abhyankar’s discography, capturing his approach to classical Hindustani vocal music. The label Saregama (then known as HMV Saregama) produced the recording, which adhered to the conventions of a studio-based raga alap-jor-jhala followed by a composed bandish in vilambit and drut layas. Accompaniment details for this track remain undocumented in available sources, though traditional tabla and tanpura support is standard for the format.

Gujari Todi belongs to the Todi thaat and is characterized by its use of komal re and komal dha, with a vadi-samvadi relationship centered on dha and ga. Abhyankar’s rendition emphasizes the raga’s introspective and expansive qualities, aligning with the gayaki (vocal style) associated with his training under Jitendra Abhisheki and Bhimsen Joshi. The track’s duration permits an extended exploration of the raga’s alaap section prior to the rhythmic compositions.

Critical reception of Soaring Heights at the time of release focused on Abhyankar’s technical precision and adherence to gharana traditions. The album contributed to his recognition as a prominent vocalist of the 1990s Hindustani classical scene. No reissues or remastered versions of this specific recording have been officially documented by the label as of the latest available information.