Raga Barwan, Bol Prem Baje Mori, Payelia - Khayal in Drut Teentaal

Rashid Khan performed Raga Barwa in the khayal composition Bol Prem Baje Mori, Payelia as the fourth track of the album Selection Kaushi Kanada. The recording features a drut (fast-tempo) rendition set to Teentaal, a 16-beat rhythmic cycle. The track spans 14 minutes and 16 seconds.

The album Selection Kaushi Kanada showcases Khan’s interpretation of ragas within the Hindustani classical tradition. The label and exact release date remain undocumented in the provided context. Khan’s performance emphasizes the khayal gayaki style, characterized by improvisational elaboration (taan, bol-banao) and rhythmic interplay with the accompanying tabla and tanpura. The composition adheres to the structural conventions of a drut khayal, progressing from the sthayi (lower octave) to the antara (higher octave) before culminating in layered rhythmic variations.

Rashid Khan, a representative of the Rampur-Sahaswan gharana, integrates the gharana’s distinctive phrasing and gamak (ornamentation) techniques into the rendition. The track exemplifies the gharana’s emphasis on melodic clarity and emotional depth in raga exposition. The accompanying artists and instrumentalists for this recording are not specified in the available information.

The album title Selection Kaushi Kanada suggests a thematic or raga-based compilation, though the full tracklist and context of the selection remain unconfirmed. Khan’s interpretation of Raga Barwa aligns with the raga’s traditional shuddha ni (pure seventh) and komal re (flattened second) swaras, rendered in the late evening or early night prahar (time cycle). The recording captures the improvisational dialogue between voice and percussion, a hallmark of live classical performance adapted to studio settings.