Rag: Gavati

Abdul Latif Khan released Sukoon in 2003 as a studio album rooted in the North Indian classical tradition. The recording features Khan as the primary artist, presenting an extended exploration of Rag Gavati across a single track. The album appeared under an unspecified label, with distribution details remaining undocumented in available sources.

The album consists of one composition, titled by its raga form. The opening and sole track spans 27 minutes and 37 seconds, structured around the melodic and rhythmic conventions of Rag Gavati. Khan employs vocal techniques characteristic of the khayal style, though specific accompaniment instrumentation or collaborating musicians are not confirmed in existing records. The release date is verified as 2003, but the exact month or day of publication is not publicly listed.

Sukoon exemplifies Khan’s interpretive approach to classical raga performance, with the extended duration allowing for elaborate alaap, jor, and jhala sections. The track’s pacing and thematic development adhere to the evening-time associations of Rag Gavati, though no live performance context or session details are attached to the recording. The album’s reception and commercial availability beyond its initial release remain partially documented, with no subsequent reissues or remastered editions noted in accessible archives.

Notable for its singular focus on Rag Gavati, the album serves as a representative work of Khan’s discography during the early 2000s. Further details regarding production credits, recording locations, or liner notes are not preserved in widely available sources. The track’s structure and Khan’s vocal phrasing reflect the gayaki (vocal) tradition of the Jaipur-Atrauli gharana, though explicit gharana affiliation is not stated in the album’s metadata.