Nat Bhairav

Nat Bhairav is a raga-based instrumental composition performed by sarod maestro Ali Akbar Khan. Released as part of his classical recordings, the track exemplifies the Alap-Jor-Jhala structure characteristic of the Maihar gharana. Khan renders the raga in the traditional vilambit (slow) and drut (fast) tempos, emphasizing the deep, meditative qualities of Nat Bhairav, a raga associated with the early morning hours.

The performance spans 18 minutes and 30 seconds. Khan accompanies himself on the sarod, with tabla support provided by an unnamed collaborator. The recording captures the intricate meend (glissando) and gamak (ornamentation) techniques central to his style. The label and exact release date remain undocumented in available sources, though the work aligns with his prolific output during the mid-to-late 20th century.

Nat Bhairav belongs to the Bhairav thaat and employs the shuddha dhaivat (natural sixth) and komal re (flattened second), creating a somber yet expansive mood. Khan’s interpretation adheres to the raga’s chalan (melodic movement), often exploring the lower and middle octaves. The composition omits vocal elements, focusing solely on instrumental expression. No alternate versions or live renditions of this specific recording are confirmed in public archives.

The track serves as an example of Khan’s mastery in dhrupad-ang (a style influenced by the ancient dhrupad tradition) and his role in popularizing North Indian classical music globally. His performances of Nat Bhairav, including this recording, remain influential in sarod pedagogy and concert repertoires. Further details on the session musicians, production location, or original release format are not verified.