Mishra Bhairavi-Thumri in Dadra Tal

Mishra Bhairavi-Thumri in Dadra Tal is a 16-minute and 15-second recording of a thumri in the Mishra Bhairavi raga, set to the six-beat dadra tal rhythmic cycle. Vocalist Ajoy Chakrabarty performs the composition in the light-classical thumri style of Hindustani music. The recording captures the improvisational and lyrical qualities characteristic of the genre, with Chakrabarty employing bol-banao (textual improvisation) and meend (glissando) techniques.

The performance adheres to the thumri tradition of expressing romantic or devotional themes through melodic embellishments. Chakrabarty begins with a slow, meditative alaap-like introduction before transitioning into the composed sthayi and antara sections. The accompaniment, though not explicitly documented in the provided context, typically includes the tanpura for drone and the tabla for rhythmic support in dadra tal. The recording emphasizes the emotional depth of Mishra Bhairavi, a raga often associated with early morning or devotional expressions.

The release year, label, and specific album or compilation associated with this recording remain undocumented in the available context. The track stands as an example of Chakrabarty’s interpretation of the Banaras gharana style, known for its emphasis on vocal agility and expressive phrasing. Notable features include the use of murki (ornamental grace notes) and the gradual acceleration of tempo in the latter sections, a common structural element in thumri performances.

Without additional metadata, the exact performance date, venue, or accompanying artists cannot be confirmed. The recording serves as a representative work within Chakrabarty’s discography, illustrating his command over the thumri form and the Mishra Bhairavi raga’s expansive melodic framework.