Mariveradikkevaraiya Rama

Mariveradikkevaraiya Rama is a Carnatic music composition performed by vocalist T. M. Krishna. The track appears as the fifth piece in an undocumented live or studio recording released during the December Season 2001. The release date is confirmed as 2001, issued under the label Charsur Digital Workstation in a digital media format.

The track runs for 3 minutes and 45 seconds. The composition follows traditional Carnatic structural elements, though specific raga, tala, or lyrical attribution remains unverified in available sources. Krishna renders the piece in his characteristic style, known for adherence to classical conventions while incorporating interpretive phrasing. The recording context suggests a possible association with the annual Chennai December Music Season, a major festival for Carnatic performances, but direct event linkage is not explicitly documented.

Charsur Digital Workstation, the producing label, specializes in archival and contemporary Carnatic music releases. The label’s catalog often features recordings from live concerts, studio sessions, and thematic compilations. No additional metadata regarding accompanying artists, instrumental arrangement, or lyrical authorship for this track is publicly accessible. The release itself lacks a titled album or compilation identifier, with the track distributed as part of a broader 2001 December Season series.

Notable aspects of the track include its brevity relative to extended Carnatic performances, which typically span longer durations. The title Mariveradikkevaraiya Rama translates loosely to an invocation of Rama, a central deity in Hindu tradition, though the full lyrical content and poetic source remain unconfirmed. Krishna’s rendition aligns with his broader discography, which emphasizes devotional and classical repertoire within the Carnatic framework.

As of the available information, no commercial reissues, alternate versions, or subsequent inclusions of this track in later compilations are recorded. The original release remains the sole documented instance of this performance in digital circulation.