Kaare Kaare Badaraa Chhaye

Sanjeev Abhyankar
6:57
Sanjeev Abhyankar released Jiyaraa in 2010, featuring Kaare Kaare Badaraa Chhaye in raag Malkauns with Jaipur-Atrauli gharana taans.
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About Kaare Kaare Badaraa Chhaye

Kaare Kaare Badaraa Chhaye is a Hindustani classical vocal composition performed by Sanjeev Abhyankar. The track appears as the second entry on his 2010 studio album Jiyaraa, released under the Times Music label. The album was issued in CD format with a total runtime of 6 minutes and 57 seconds for this track.

The composition follows the traditions of the Jaipur-Atrauli gharana, a school of Hindustani classical music known for its intricate taan patterns and emotive phrasing. Abhyankar renders the piece in raag Malkauns, a pentatonic scale associated with late evening or night performances. The lyrical content draws from poetic imagery of monsoon clouds (badaraa), a recurring theme in Indian classical and semi-classical repertoire.

The album Jiyaraa marks one of Abhyankar’s commercial releases aimed at a broader audience while retaining classical rigor. The production incorporates minimal accompaniment, primarily featuring the tanpura for drone support and tabla for rhythmic cycles. Specific session musicians or arrangers for this track remain undocumented in publicly available sources.

Abhyankar, a disciple of Pandit Jasraj, employs the khayal style in this recording, characterized by improvisational alaap followed by structured melodic development. The track’s duration allows for extended exploration of the raag’s chalan (melodic movement), with Abhyankar demonstrating layered vocal techniques including meend (glissando) and gamak (oscillation).

Critical reception of Jiyaraa at the time of release noted its accessibility for listeners transitioning from light classical to full-fledged khayal performances. The album’s liner notes or supplementary documentation do not provide detailed recording locations or additional technical credits. Times Music distributed the CD through retail and digital platforms, though the extent of its commercial reach is not quantified in archival records.