Coming of the Mandinka

Narasimhan Ravikiran
5:14
Taj Mahal, Narasimhan Ravikiran, and Vishwa Mohan Bhatt released Coming of the Mandinka in 1995, blending blues with Indian chitravina and mohan veena on the album Mumtaz Mahal.

About Coming of the Mandinka

\"Coming of the Mandinka\" is the opening track from the 1995 collaborative album Mumtaz Mahal. The composition features American blues musician Taj Mahal alongside Indian classical artists Narasimhan Ravikiran on chitravina and Vishwa Mohan Bhatt on mohan veena. The track spans 5 minutes and 14 seconds.

The album Mumtaz Mahal emerged from a cross-cultural fusion project blending North Indian classical music, Hindustani traditions, and African-American blues. Water Lily Acoustics released the recording on CD in 1995. The label specialized in acoustic and world music productions, emphasizing high-fidelity recordings of traditional and fusion genres.

Narasimhan Ravikiran contributed chitravina performances rooted in Carnatic classical techniques, while Vishwa Mohan Bhatt applied the slide-based mohan veena, an instrument he adapted from the Hawaiian guitar. Taj Mahal integrated blues vocal stylings and harmonic structures, creating a dialogue between Indian raga frameworks and African-American musical idioms. The track title references the Mandinka people of West Africa, though the album does not provide explicit lyrical or thematic documentation for this connection.

The broader Mumtaz Mahal album received recognition for its experimental fusion approach, though specific reception details for \"Coming of the Mandinka\" remain undocumented in primary sources. The collaboration marked a notable intersection of transcontinental musical traditions during the mid-1990s, with Water Lily Acoustics facilitating the production and distribution.