Charukeshi
About Charukeshi
Charukeshi is a raga-based instrumental composition performed by Anoushka Shankar. The piece features Shankar on sitar and represents a traditional interpretation of the Charukeshi raga, a melodic framework in Hindustani classical music. The recording appears on her album Rise, released in 2005 by Angel Records. The track has a duration of 7 minutes and 33 seconds.
Anoushka Shankar arranged and produced Charukeshi. The composition adheres to the structural conventions of a classical alap, jor, and jhala, followed by a gat in teental, a 16-beat rhythmic cycle. The alap section introduces the raga’s characteristic notes and mood, emphasizing the shadja (tonic) and pancham (fifth) as pivotal tones. The jor accelerates the tempo while maintaining the raga’s melodic integrity. The jhala incorporates rapid strumming patterns on the sitar’s chikari strings, creating rhythmic density.
The gat section introduces the tabla, played by Tanmoy Bose. Bose employs bols (syllabic strokes) to articulate the teental cycle, complementing Shankar’s sitar improvisations. The interplay between sitar and tabla follows the call-and-response format typical of Hindustani classical performances. Shankar explores the raga’s upper and lower octaves, incorporating meend (glissando) and gamak (ornamentation) techniques to highlight the raga’s emotional depth.
Charukeshi belongs to the Kafi thaat and is classified as a sampurna raga, containing all seven swaras (notes) in its ascent and descent. The raga’s arohana (ascent) and avarohana (descent) follow the pattern: S R G m P D n S’ and S’ n D P m G R S, respectively. The komal (flat) nishad (seventh) and shuddha (natural) dhaivat (sixth) create its distinctive tonal color. The composition does not specify a chalan (specific phrase progression), allowing Shankar to improvise within the raga’s framework.
The album Rise blends classical Hindustani elements with contemporary production techniques. Charukeshi remains a purely classical piece, showcasing Shankar’s technical proficiency and interpretive skill. The track does not include additional instrumentation beyond sitar and tabla. The release date of the album is September 27, 2005. Further details about live performances or alternate versions of this composition are not available in the provided context.