Biraha Naa Jala: Raga · Bageshri · Vilambit · Teen Taal

Biraha Naa Jala: Raga · Bageshri · Vilambit · Teen Taal is a classical vocal performance by Kishori Amonkar, a prominent exponent of the Jaipur-Atrauli gharana in Hindustani classical music. The recording features a khayal composition set in Raga Bageshri, rendered in vilambit laya (slow tempo) and structured within the Teen Taal rhythmic cycle of 16 beats. Amonkar’s interpretation emphasizes the raga’s emotive depth, characterized by intricate meend (glissando) and gamak (ornamentation) techniques.

The performance likely originates from a live concert or studio session, though the exact release year and recording date remain undocumented in widely accessible sources. The format appears as a standalone track or part of a larger album compilation, but no verified label or commercial release details are confirmed. The composition’s lyrical theme revolves around the pain of separation (viraha), a central motif in classical and semi-classical Hindustani repertoire.

Amonkar’s rendition of Biraha Naa Jala exemplifies her signature approach to raga elaboration, blending traditional badhat (development) with spontaneous improvisation. The accompaniment typically includes tanpura for drone support and tabla for percussion, though specific collaborating artists for this recording are not publicly listed. The track’s duration and precise structural breakdown (e.g., alaap, jor, jhala, or bandish sections) are not detailed in available references.

Kishori Amonkar (1932–2017) received the Padma Vibhushan (2002) and remains celebrated for her contributions to Hindustani vocal music. This performance aligns with her broader discography, which often explores lesser-known ragas and complex rhythmic patterns. Without explicit archival confirmation, the track’s provenance relies on oral tradition and private collections shared among classical music enthusiasts.