Bhajan : Mere Matia - Raga Punjabi Keherwa

Dilshad Khan
7:17
Dilshad Khan released the 7-minute bhajan Mere Matia in Punjabi Keherwa raga, blending devotional lyrics with an 8-beat rhythmic cycle.
Credits
Featured Artists

About Bhajan : Mere Matia - Raga Punjabi Keherwa

\"Bhajan: Mere Matia - Raga Punjabi Keherwa\" is a devotional composition performed by Dilshad Khan. Released in an unspecified year, the track adheres to the Punjabi Keherwa raga, a variant of the Keherwa taal structure commonly associated with light classical and devotional music in North Indian tradition. The recording spans 7 minutes and 17 seconds and follows the bhajan format, characterized by lyrical devotion and melodic simplicity.

The artist Dilshad Khan renders the bhajan in a vocal style typical of the Mewati gharana, though explicit gharana affiliation for this specific work remains undocumented. The composition centers on themes of spiritual longing, with the title phrase \"Mere Matia\" (\"My Eyes\") serving as a metaphorical invocation. Instrumental accompaniment details, if any, are not specified in available sources, but traditional bhajans of this nature often feature harmonium, tabla, or tanpura.

The release format—whether as a standalone single, part of an album, or a live recording—is not confirmed. No label or production credits are publicly attributed to the track. Notable lyrical or melodic motifs include the use of Keherwa taal, an 8-beat rhythmic cycle, which provides a cyclical foundation for the devotional text. The raga’s Punjabi prefix suggests regional melodic influences, possibly incorporating folk or Sufi elements into the classical framework.

Further contextual details, such as the recording location, session musicians, or the bhajan’s textual origins, are absent from accessible records. The work exemplifies the fusion of classical raga structures with devotional poetry, a common practice in the Hindustani bhajan tradition. Dilshad Khan’s interpretation emphasizes vocal phrasing and emotional delivery, aligning with the expressive conventions of the genre.