Two Moods

Two Moods

1981
GS Sachdev was an bansuri (bamboo flute).
G.S. Sachdev
Ustad Zakir Hussain, legendary Indian tabla maestro and son of Ustad Alla Rakha.
Zakir Hussain
2 tracks 51m
G.S. Sachdev and Zakir Hussain released Two Moods in 1981, pairing bansuri and tabla in a dual-raag vinyl featuring Kaushik Dhani and Purya-Kalyan compositions.
2 tracks • 51m
# Title
25:55
25:17
2 tracks Total: 51m

About Two Moods

Two Moods is a collaborative studio album by Indian classical musicians G.S. Sachdev and Zakir Hussain. The record pairs Sachdev’s bansuri flute with Hussain’s tabla in a dual-raag presentation. Chandi Productions released the album in 1981 as a 12\" vinyl under catalog number CPL 1003. The recording session location and production personnel remain undocumented in available sources.

The album features two extended compositions. The first track, Kaushik Dhani, explores a morning raga associated with the Kaushik thaat. Sachdev performs the alap, jor, and jhala sections before transitioning into a medium-tempo gat accompanied by Hussain’s rhythmic elaborations. The second track, Purya-Kalyan, presents an evening raga from the Kalyan thaat. The performance follows a traditional structure with an extended alap followed by a drut (fast) gat in teentaal, a 16-beat rhythmic cycle.

Zakir Hussain’s tabla playing incorporates elements of the Farrukhabad and Punjab gharanas, while Sachdev’s bansuri technique reflects the Maihar gharana tradition under his mentor Pannalal Ghosh. The album’s liner notes include brief raga descriptions but omit detailed recording dates or session musicians beyond the two primary artists. No reissues or digital remasters have been confirmed in public records as of the latest available documentation.

The original vinyl pressing carried a minimalist cover design with a monochrome photograph of the artists and handwritten Devanagari script for the title. Chandi Productions marketed the release primarily to audiences in North India and among diaspora communities in the UK and US. Critical reception from the period is not widely archived, though the album is cited in later discographies of both artists as an early example of their collaborative work.

Record Label

Catalog Number: CP 102