Real Sugar

Real Sugar

1997
Color photograph of a male folk musician performing on stage, singing into a microphone while playing a small string instrument. He has curly grey hair, a beard, and is wearing traditional attire. The background includes stage equipment and a large image or artwork of a tribal figure, creating a culturally rich performance setting.
Paban Das Baul
9 tracks 57m
Paban Das Baul and Sam Mills released Real Sugar in 1997, fusing Bengali Baul folk with electronic production and featuring the ektara and khamak.
9 tracks • 57m
# Title
5:23
4:39
7:36
7:59
5:56
7:01
5:58
9 tracks Total: 57m

About Real Sugar

Real Sugar is a collaborative studio album by Bengali folk musician Paban Das Baul and British producer and guitarist Sam Mills. The album blends traditional Baul music from Bengal with contemporary production techniques. Caroline Records released the album on February 25, 1997 in CD format.

The recording sessions integrated Baul folk traditions with Western instrumentation. Paban Das Baul contributed vocals, ektara (a single-stringed drone instrument), and khamak (a percussion-string hybrid). Sam Mills provided guitar arrangements, electronic textures, and production oversight. The collaboration marked one of the first international releases to feature Baul music in a cross-cultural fusion context.

The album comprises nine tracks. Notable compositions include Dil Ki Doya, a devotional song emphasizing emotional surrender, and Nacho Kali, a rhythmic piece invoking the goddess Kali through dance metaphors. Porojonome explores themes of rebirth and cyclical existence, while Ore Poinkha employs playful, conversational lyrics. Boshondharar Buke references the seasonal transition into spring, and Mon Fakira reflects ascetic longing. The track Choncholo Mon addresses the restless mind, and Mon Moti uses the pearl as a metaphor for inner purity. The closing track, Gopun Premer Kotha, narrates hidden love through cryptic Baul symbolism.

Caroline Records distributed the album under license, targeting world music audiences. The release received attention for its fusion of Bengali folk elements with global production standards. Live performances followed in Europe and India, though documentation of these events remains limited. The album’s reception contributed to broader recognition of Baul music outside South Asia, though specific sales figures or chart positions are not publicly recorded.

The artwork and liner notes accompanied the CD release, featuring translations of selected lyrics. No subsequent reissues or remastered editions have been confirmed. The collaboration between Paban Das Baul and Sam Mills did not yield further studio albums, though both artists continued independent projects in their respective genres.

Musicians

Record Label

Catalog Number: CAROL 2367-2