Immortal Series: Sarangi Maestro

Immortal Series: Sarangi Maestro

1992
Ustad Sabri Khan as an Indian sarangi player.
Sabri Khan
5 tracks 1h 10m
Sabri Khan released Immortal Series: Sarangi Maestro in 1992, featuring five ragas performed on sarangi with gayaki ang technique.
5 tracks • 1h 10m
# Title
5 tracks Total: 1h 10m

About Immortal Series: Sarangi Maestro

Immortal Series: Sarangi Maestro is a studio album by Indian classical musician Sabri Khan, released in 1992. The album features Khan as the primary performer on the sarangi, a bowed string instrument central to Hindustani classical music. The recording captures his interpretations of five traditional ragas, showcasing the instrument’s expressive range and Khan’s mastery of the gayaki ang (vocal-style phrasing) technique.

The album was issued by T-Series in CD format as part of its Immortal Series, which highlighted recordings by eminent classical artists. The release date coincided with the label’s broader efforts to document and preserve performances by veteran musicians. No live recording details or additional session artists are documented in available sources.

The tracklist comprises five compositions:

Raga Gaud Sarang opens the album with an alaap-centric exploration, emphasizing the raga’s characteristic komal re (flattened second) and tivra ma (sharp fourth). Khan’s rendition adheres to the vilambit (slow) and drut (fast) sections, typical of the raga’s structural progression.

Raga Multani follows, noted for its somber and introspective mood. The performance highlights the raga’s shuddha dha (natural sixth) and komal ga (flattened third), with Khan employing sustained bowing techniques to evoke its meditative quality.

Raga Puria Kalyan introduces a brighter tonal palette, featuring shuddha ni (natural seventh) and an expansive jhala (rhythmic climax) section. The track demonstrates Khan’s ability to balance technical precision with emotional depth.

Raga Marubihag incorporates folk-inflected melodies, reflecting the raga’s regional associations with Rajasthan. The composition includes intricate taans (fast melodic runs) and rhythmic improvisations.

Raga Pancham concludes the album with a focus on the pancham swara (fifth note). Khan’s interpretation emphasizes the raga’s symmetrical structure and lyrical phrasing, rounding out the collection with a contemplative finale.

The album’s production credits and recording location remain undocumented in public sources. Immortal Series: Sarangi Maestro serves as a representative example of Sabri Khan’s contributions to Hindustani instrumental music, particularly in elevating the sarangi as a solo concert instrument during the late 20th century.

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