The Genius Of Ustad Rashid Khan

The Genius Of Ustad Rashid Khan

2010
Ustad Rashid Khan  was an Indian classical musician in the Hindustani tradition.
Rashid Khan
9 tracks 3h 6m
Ustad Rashid Khan released The Genius Of Ustad Rashid Khan in 2010, featuring Hindustani khayal and tarana in the Rampur-Sahaswan gharana with Raga Darbari Kanada’s tempo mastery.

About The Genius Of Ustad Rashid Khan

The Genius Of Ustad Rashid Khan is a studio album by Indian classical vocalist Ustad Rashid Khan. Released in 2010 under the Saregama label, the album compiles nine live and studio recordings that showcase Khan’s mastery of the khayal and tarana forms in the Rampur-Sahaswan gharana tradition. The collection features performances in raga structures central to Hindustani classical music, accompanied by traditional instrumental ensembles.

Khan presents Raga Ahir Bhairav and Raga Malkauns as standalone explorations, emphasizing alaap and gradual rhythmic development. The album includes a Teen Taal composition in Raga Bilaskhani Todi, titled \"Kahe Karat Mose Jhagra\", where Khan employs intricate taan patterns and emotive phrasing. Raga Purvi follows in the same Teen Taal framework, while Raga Hamir features a tarana in Ek Taal, marked by the rhythmic syllable sequence \"Deem Dara Dir Dir\".

The album dedicates two tracks to Raga Saraswati, beginning with a vilambit khayal in Ek Taal (\"More Man Bhaaye\") and transitioning to a drut khayal in Teen Taal (\"Tum Bina Suna Sab Sansar\"). Khan’s interpretation of Raga Darbari Kanada spans a vilambit khayal in Ek Taal and a drut khayal in Teen Taal, demonstrating his control over slow and fast tempos. The closing track, Raga Deshkar, adheres to Teen Taal and reinforces the album’s focus on rhythmic precision.

The release format is a compact disc (CD), produced as part of Saregama’s classical music catalog. Specific recording dates and accompanying artists remain undocumented in available sources. The album serves as a representative sample of Khan’s repertoire during the late 2000s and early 2010s, capturing his technical virtuosity and adherence to gharana-specific stylings.

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