Basant Bahar, Volume 1

Kishori Amonkar was an Indian classical vocalist.
Kishori Amonkar
2 tracks 59m
Kishori Amonkar released Basant Bahar, Volume 1 featuring Raga Hamir Bahar and Raga Basant Bahar in khyal style with Jaipur-Atrauli gharana techniques.
2 tracks • 59m
# Title
2 tracks Total: 59m

About Basant Bahar, Volume 1

Basant Bahar, Volume 1 is a studio album by Indian classical vocalist Kishori Amonkar. Released in an unspecified year, the recording presents two raga performances in the Hindustani classical tradition. The album format remains undocumented, though it likely circulated on vinyl or cassette during its initial release period. No label information is available in existing sources.

Kishori Amonkar performs two compositions on this release. The first track features Raga Hamir Bahar, a rare variant associated with the Bahar raga family. The second track presents Raga Basant Bahar, a seasonal raga traditionally rendered in spring. Both performances adhere to the khyal style, with Amonkar employing her signature vocal techniques including meend, gamak, and intricate taan patterns. Accompaniment details remain unconfirmed, though typical Hindustani classical recordings of this era included tabla and tanpura support.

The album title references the Basant Bahar raga, a composite form blending elements of Basant and Bahar. Amonkar’s interpretation emphasizes the raga’s lyrical and technical demands, showcasing her command over the Jaipur-Atrauli gharana repertoire. The recording duration for each track is not specified. Archival evidence suggests this release formed part of a multi-volume series dedicated to seasonal and lesser-performed ragas, though only Volume 1 is partially documented.

No commercial reissues or digital remasters of Basant Bahar, Volume 1 are verified in public records. The original release context—whether a private pressing, concert recording, or commercial studio session—remains unclear. Amonkar’s discography from this period often featured live recordings, but this album’s production circumstances are not explicitly cataloged. The tracklist confirms only two raga performances without additional compositions or filler material.

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