The Art of the Indian Dilruba

The Art of the Indian Dilruba

1997
Experienced sitar musician wearing sunglasses, holding and playing a traditional sitar in a softly lit indoor space.
Baluji Shrivastav
5 tracks 1h 7m
Baluji Shrivastav released The Art of the Indian Dilruba in 1997, a solo album featuring five raga-based compositions performed on the dilruba without accompaniment.
5 tracks • 1h 7m
# Title
5 tracks Total: 1h 7m

About The Art of the Indian Dilruba

The Art of the Indian Dilruba is a studio album by sitarist and dilruba virtuoso Baluji Shrivastav. Released in 1997 under ARC Music, the album presents five classical compositions performed on the dilruba, a bowed string instrument with origins in North Indian classical tradition. The recording captures Shrivastav’s interpretation of raga-based pieces, emphasizing the instrument’s expressive range and tonal depth.

Baluji Shrivastav composed and performed all tracks on the album. The release features traditional ragas adapted for the dilruba, including Raga Ahiri Todi, Raga Dhani, Raga Shyam Kalyan, Raga Sampurna Malkauns, and Raga Bhairavi Dhun. Each track explores the structural and melodic intricacies of its respective raga while showcasing the dilruba’s capacity for both rhythmic precision and lyrical phrasing. The album omits accompaniment, placing sole focus on the instrument’s solo performance.

ARC Music produced the album in CD format with a release date in 1997. The label specialized in world music and traditional recordings, positioning The Art of the Indian Dilruba within its catalog of South Asian classical works. The liner notes provide contextual background on the dilruba’s construction and Shrivastav’s approach to raga interpretation, though specific session details such as recording location or additional personnel remain undocumented in available sources.

The album contributes to the broader discourse on lesser-highlighted instruments in Hindustani classical music. Shrivastav’s work on this release aligns with his broader career as a performer and educator, advocating for the dilruba’s role in contemporary classical practice. No commercial charts or certification records for the album are publicly verified, but it remains a referenced recording in discussions of 20th-century Indian instrumental music.

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