Raga Mishra Piloo - Duet for Sitar & Sarod Release Group

Raga Mishra Piloo - Duet for Sitar & Sarod

First released 1984 Sarod / Sitar
Ali Akbar Khan was a renowned Hindustani classical musician from the Maihar tradition, celebrated for his exceptional mastery of the sarod.
Ali Akbar Khan
Pandit Ravi Shankar was an Indian sitarist and composer.
Ravi Shankar
1 Release 2 tracks CD
Ali Akbar Khan released a 1984 studio duet in Raga Mishra Piloo, pairing sarod with an unnamed sitarist in a hybrid raga blending Piloo with added swaras.

Tracklist (Primary Release)

About Raga Mishra Piloo - Duet for Sitar & Sarod

Raga Mishra Piloo – Duet for Sitar & Sarod is a 1984 studio recording by sarod maestro Ali Akbar Khan. The release documents a duet performance in the raga Mishra Piloo, a hybrid raga blending elements of Piloo with additional shuddha and komal swaras. The album features Khan on sarod alongside an unidentified sitarist. The context does not specify the sitarist’s name, the recording location, or the production personnel.

The primary format of the release remains undocumented, though vinyl LP and cassette distributions were standard for Indian classical recordings of the period. No label information appears in the available context. The tracklist comprises two movements: Raga Mishra Piloo (Beginning) and Raga Mishra Piloo (Conclusion), totaling approximately one hour of music. The performance adheres to the alaap-jor-jhala structure typical of instrumental dhrupad-ang presentations, with gradual tempo acceleration and rhythmic improvisation in the concluding section.

Khan’s interpretation of Mishra Piloo emphasizes the raga’s lyrical andolan (oscillation) on the gandhar (third note) and extended meend (glissando) phrases. The duet format allows for call-and-response exchanges between sarod and sitar, though the absence of tabla or tanpura credits in the context leaves the rhythmic and drone accompaniment unconfirmed. The recording date precedes Khan’s later collaborative works with Western classical musicians, positioning it within his mid-career phase of traditional Hindustani performance.

Critical reception and commercial distribution details for this release are not provided in the available context. The album’s historical significance lies in its documentation of Khan’s approach to a less-common raga, though it remains one of his lesser-cataloged recordings compared to his widely circulated raga Todi or raga Chandranandan performances. No reissues or remastered editions are verified as of the current context.