Flowers of Evil (Les Fleurs de mal) Release Group

Flowers of Evil (Les Fleurs de mal)

First released 1968 Sarod
Ali Akbar Khan was a renowned Hindustani classical musician from the Maihar tradition, celebrated for his exceptional mastery of the sarod.
Ali Akbar Khan
1 Release 6 tracks
Ali Akbar Khan released Flowers of Evil in 1968, a sarod-driven instrumental album interpreting Baudelaire’s poetry with North Indian raga and Western avant-garde fusion.

Tracklist (Primary Release)

# Title
5:31
5
12:57
7:42
6 tracks

About Flowers of Evil (Les Fleurs de mal)

Flowers of Evil (Les Fleurs de mal) is a 1968 studio album by Indian classical musician Ali Akbar Khan. Khan composed and performed the work as an instrumental interpretation of themes from Charles Baudelaire’s 1857 poetry collection Les Fleurs du Mal. The album blends North Indian classical music with Western avant-garde influences, marking a departure from Khan’s traditional sarod recordings.

Khan released the album on January 1, 1968. The primary format remains unspecified in available records, though later pressings appeared on vinyl and compact disc. No original label information is documented in the provided context. The album consists of six tracks, each titled after a poem from Baudelaire’s collection. Notable compositions include To a Passer-By, A Voyage to Cythera, Murdered Woman, The Albatross, Lethe, and Episode.

The recording process involved Khan on sarod accompanied by unspecified percussion and possibly Western instruments, though detailed session credits are not confirmed. The album’s fusion of raga structures with atmospheric, poetic motifs distinguished it within Khan’s discography. Later reissues occasionally paired the work with liner notes referencing Baudelaire’s verses, though the original release’s packaging details are not fully documented.

Critical reception from the period is not preserved in the given context. The album’s legacy rests on its experimental fusion of Indian classical traditions with literary and modernist Western aesthetics. Khan did not revisit this exact conceptual approach in subsequent releases, making Flowers of Evil a singular entry in his catalog.