Sanware Tore Bin Jiya

NK
Nusrat Fateh Ali Khan
6:55
Nusrat Fateh Ali Khan released the 6-minute qawwali Sanware Tore Bin Jiya in 1995 on Bandit Queen, Vol. 51, blending Sufi poetry with harmonium and tabla.
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About Sanware Tore Bin Jiya

Sanware Tore Bin Jiya is a qawwali composition performed by Nusrat Fateh Ali Khan. The track appears as the opening piece on Bandit Queen, Vol. 51, a commercial release issued under the Oriental Star Agencies Ltd. label. The album launched on January 1, 1995 in digital media format.

The recording spans 6 minutes and 55 seconds, showcasing Khan’s signature vocal improvisations within the qawwali tradition. The track exemplifies the fusion of Sufi devotional poetry with intricate rhythmic cycles and melodic ornamentation. Instrumental accompaniment includes harmonium, tabla, and chorus responses, though specific session musicians remain undocumented in available sources.

Bandit Queen, Vol. 51 forms part of a larger series of compilations and live recordings distributed by Oriental Star Agencies during the 1990s. The series often featured Khan’s performances from studio sessions and concert archives, though the precise origin of this recording is not explicitly detailed in the release metadata. The label specialized in South Asian classical, devotional, and folk music, with a focus on preserving and disseminating traditional and contemporary works from the subcontinent.

Khan’s rendition of Sanware Tore Bin Jiya aligns with his broader repertoire of qawwali, a genre rooted in the Chishti Sufi order’s musical practices. The lyrics employ Braj Bhasha and Urdu, drawing on themes of spiritual longing and divine separation. The composition’s structure follows the standard qawwali framework, progressing through alaap (improvisational prelude), astayi (refrain), and antara (verses) with escalating tempo and emotional intensity.

No official music videos or visual accompaniments for this track are recorded in the release history. The album’s packaging and liner notes, if originally included, are not widely archived in digital repositories. Subsequent reissues or remasters of Bandit Queen, Vol. 51 have not been documented, leaving the 1995 edition as the primary reference for this recording.