Raga Patmanjari

N. Rajam
30:01
Violinist N. Rajam performed Raga Patmanjari on her 1997 album Sounds of the Strings, featuring a 30-minute khayal-based instrumental with her signature bowing technique.
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About Raga Patmanjari

Raga Patmanjari is a khayal-based instrumental composition performed by violinist N. Rajam on the 1997 album Sounds of the Strings. The track appears as the second piece on the release and spans a duration of 30 minutes and 1 second. The album was issued by Music Today in CD format.

The performance showcases Rajam’s interpretation of Raga Patmanjari, a melodic framework associated with the Bhairav thaat in Hindustani classical music. The recording captures her signature bowing technique and phrasing, emphasizing the raga’s contemplative and expansive character. Accompaniment details for this track remain undocumented in available sources.

Sounds of the Strings compiles Rajam’s solo and collaborative works, though specific session dates or additional contributing artists for this track are not publicly verified. The album aligns with her broader discography of Hindustani classical violin recordings, which often feature traditional ragas adapted for the instrument. The label Music Today, a division of India’s T-Series, distributed the release as part of its classical music catalog.

Notable elements of the track include the alaap-jor-jhala progression, a standard structure in instrumental Hindustani performances. Rajam’s rendition adheres to the raga’s shuddha dhaivat (natural D) and komal nishad (flattened Ni) swaras, with improvisational passages exploring the upper and lower octaves. The recording omits vocal accompaniment, focusing on the violin’s expressive range.

The 1997 CD release marked one of Rajam’s commercial recordings during a period of heightened visibility for Indian classical instrumentalists. While critical reception of the album is not extensively archived, the track exemplifies her role in popularizing the violin as a lead instrument in Hindustani music. Further production credits or alternate takes of this performance are not confirmed in accessible records.