Raga Lalit - Composition And Layakari In Chautaal

Raga Lalit – Composition and Layakari in Chautaal is a khayal performance by Hindustani classical vocalist Nasir Faiyazuddin Dagar. Released as a standalone recording, the track spans 10 minutes and 13 seconds and showcases a detailed exploration of Raga Lalit, a morning raga from the Asavari thaat characterized by its komal re and komal dha swaras. The composition adheres to the chautaal rhythmic cycle, a 12-beat tala commonly used in dhrupad and khayal traditions.

Faiyazuddin presents the bandish (composition) in vilambit (slow) tempo before progressing into intricate layakari (rhythmic play). The performance emphasizes the raga’s contemplative and introspective mood, with elongated alaap-like phrasing in the initial sections. The artist employs bol-banao and bol-taan techniques to elaborate the raga’s structure, while the layakari segments demonstrate rhythmic improvisation within the chautaal framework. Accompaniment details remain undocumented in available sources, though the recording likely includes tanpura drone and tabla percussion.

The release year and label for this recording are not publicly specified. The track stands as an example of Faiyazuddin’s adherence to the Dagarvani style, a sub-tradition of the Dhrupad and khayal genres associated with the Dagar family. Notable aspects include the artist’s use of gamak-laden phrasing in the lower and middle octaves, a hallmark of Raga Lalit’s execution. No lyricist or composer is credited for the bandish in accessible references, suggesting it may derive from traditional repertoire or Faiyazuddin’s own interpretations.

The recording circulates primarily in digital formats, often included in compilations or archival collections of Dagarvani performances. No commercial album or physical release is confirmed for this specific track. Further metadata, including session musicians or recording location, is absent from public records.