Raga Hameer: Dadara - Bhairavee Ab Na Manoo Tori Batiya
About Raga Hameer: Dadara - Bhairavee Ab Na Manoo Tori Batiya
\"Raga Hameer: Dadara - Bhairavee Ab Na Manoo Tori Batiya\" is a short classical vocal composition performed by Jagdish Prasad. The track appears as the fifth entry on the album Laaj Rakho Mori, released on CD by Venus Records & Tapes in 1995.
The piece adopts the dadra form, a light-classical style in Hindustani music characterized by a six-beat rhythmic cycle (tala). The text \"Ab Na Manoo Tori Batiya\" aligns with the Raga Hameer framework, a melodic structure associated with the late evening or early night raag classification. The secondary reference to Raga Bhairavee suggests a possible blending or thematic connection, though the album’s liner notes or accompanying documentation do not clarify the exact treatment.
With a duration of 31 seconds, the track serves as a concise rendition, likely functioning as an interlude or introductory segment within the album’s sequence. The recording captures Prasad’s vocal phrasing, though the brevity limits extended melodic or rhythmic development. The production quality reflects the era’s standard for commercial classical releases on the Venus Records & Tapes label, which specialized in North Indian classical, semi-classical, and devotional music during the 1990s.
The album Laaj Rakho Mori primarily features traditional and semi-classical compositions, with Prasad as the sole credited vocalist. No additional session musicians, instrumentalists, or arrangers are documented in available sources. The label’s catalog from this period often included recordings aimed at both connoisseurs and general audiences, balancing technical adherence to raga structures with accessible presentation.
Further details regarding the specific performance context, accompanying instrumentation, or the artistic intent behind the track’s brevity remain unverified in public records. The composition’s inclusion in the album aligns with the broader trend of compiling shorter bandish (fixed compositions) alongside longer improvisational pieces in commercial classical releases of the time.