Raga Adana: Dhrupad in Sultala

Raga Adana: Dhrupad in Sultala is a dhrupad performance by vocalist Nasir Faiyazuddin. The recording features a rendition of Raga Adana set in Sultala, a rhythmic cycle of 10 beats. Faiyazuddin presents the composition in the traditional Dagur bani style of dhrupad, characterized by its emphasis on sustained notes, intricate gamakas, and textual clarity.

The track spans 2 minutes and 52 seconds. The performance structure follows the standard dhrupad format, beginning with the alap (though abbreviated in this recording) and proceeding to the composed section in Sultala. The artist employs a deep, resonant vocal timbre with controlled oscillations, adhering to the raga’s ascending and descending phrases. The recording captures the austerity and meditative quality associated with the dhrupad tradition.

Release details such as the year, label, or album context remain undocumented in available sources. The track stands as a concise example of Faiyazuddin’s interpretation of Raga Adana, a raga traditionally performed in the late evening or early night. The Sultala composition likely draws from classical Bandish repertoire, though specific lyrical content or composer attribution is not specified.

Nasir Faiyazuddin is a practitioner of the Dagar tradition, a lineage known for its preservation of dhrupad’s core principles. His performances often highlight rare ragas and complex talas, with Raga Adana being a less commonly heard raga in contemporary concert circuits. The recording serves as an archival reference for students and scholars of North Indian classical vocal music.