Rag Jhinjyoti - Medium Tempo

Aashish Khan
7:18
Aashish Khan released Rag Jhinjyoti (Medium Tempo), a 7-minute live sitar performance from a 1968 Los Angeles concert, on the 2007 album Live in Los Angeles – 1968, blending dhrupad and khayal style
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About Rag Jhinjyoti - Medium Tempo

Rag Jhinjyoti (Medium Tempo) is a live recording of a Hindustani classical performance by sitarist Aashish Khan. The track appears as the third piece on the album Live in Los Angeles – 1968, released on June 12, 2007 by Simla House in CD format. The composition spans 7 minutes and 18 seconds and showcases Khan’s interpretation of Rag Jhinjyoti, a raga traditionally associated with late evening performances in the Hindustani tradition.

The album captures a 1968 concert in Los Angeles, though the exact venue and accompanying artists remain undocumented in widely available sources. Khan, a prominent exponent of the Etah gharana and grandson of sitar legend Ustad Allauddin Khan, employs the sitar as the primary instrument in this recording. The medium-tempo rendition adheres to the structural conventions of alaap-jor-jhala followed by a composed gat, though specific taans or improvisational techniques are not detailed in the release notes.

Live in Los Angeles – 1968 compiles archival material from Khan’s early international performances, with Simla House handling the post-production and distribution. The album’s liner notes do not specify the tabla or tanpura accompanists, if any, nor the recording engineer. The 2007 release marked one of several posthumous or archival projects featuring Khan’s work, though this particular concert had not been commercially available prior to its CD issuance.

The track exemplifies Khan’s stylistic blend of dhrupad-ang phrasing and khayal-influenced melodic development, characteristic of his training under his father Ali Akbar Khan. No alternate takes or extended improvisations from the same concert are included in the album. The recording quality reflects the technical limitations of live captures from the late 1960s, with audible ambient reverb and minimal post-processing intervention.