Raag Pahari

Salamat Ali Khan
16:57
Ustad Salamat Ali Khan performed Raag Pahari in khayal style on the 2015 album Passion of Ragas, featuring late-evening Pahari framework with gamak and meend ornamentation.
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About Raag Pahari

Raag Pahari is a khayal performance in the Hindustani classical tradition rendered by Ustad Salamat Ali Khan. The track appears as the second composition on the album Passion of Ragas, released on August 3, 2015 under the Bihaan Music label. The recording spans 16 minutes and 57 seconds and was distributed in digital media format.

Salamat Ali Khan presents the raga in the Pahari framework, a melodic structure associated with the late evening or early night (sandhi prakash raga). The performance adheres to the khayal style, characterized by improvisational alaap, rhythmic taan patterns, and text-based bandish compositions. Accompaniment details for this track remain undocumented in available sources, though classical khayal traditionally features the tabla for percussion and the tanpura for drone support.

The album Passion of Ragas compiles archival and studio recordings by Salamat Ali Khan, a exponent of the Sham Chaurasia gharana. Bihaan Music curated the release as part of a series dedicated to preserving Hindustani vocal traditions. No additional metadata confirms whether the track derives from a live concert or a studio session. The label’s digital distribution ensured accessibility across streaming platforms and download services post-release.

Notable aspects of the performance include Khan’s use of gamak (ornamentation) and meend (glissando) techniques, hallmarks of his interpretive approach. The raga’s arohana-avrohana (ascent-descent) structure and vadi-samvadi (dominant-subdominant) notes follow the Pahari framework, though specific tonal embellishments may reflect Khan’s personal stylistic adaptations. The track omits lyrical transcription in public documentation, focusing instead on the instrumental and vocal interplay.

Contextual details about the recording session, accompanying artists, or production personnel for this track are not explicitly verified in primary sources. The album’s liner notes, if available, may provide further technical or historical annotations.