Koyelia Gaan Thama

Koyelia Gaan Thama is a studio album by Indian classical vocalist Begum Akhtar. The album features traditional thumri, dadra, and ghazal compositions characteristic of the Benaras gharana. The release date remains undocumented in widely accessible sources, but the recording format is confirmed as a commercial CD.

The album includes eight tracks, with the title track Koyelia Gaan Thama positioned as the eighth entry. This composition spans a duration of 6 minutes and 9 seconds. Begum Akhtar delivers the piece in her signature style, blending intricate melodic phrasing with emotive lyrical interpretation. The accompaniment details, including instrumentalists or arrangers, are not explicitly recorded in available references.

Begum Akhtar established her reputation as a leading exponent of light classical and semi-classical Hindustani music during the 20th century. Her renditions often emphasized bhava (emotional expression) and laya (rhythmic nuance). The album Koyelia Gaan Thama exemplifies this approach, though specific production credits or the releasing label remain unverified in public archives. The work is frequently cited among her later recordings, reflecting her enduring influence on the genre.

Notable tracks from the album, beyond the title piece, are not individually documented in standard discographies. The CD format suggests a post-1980s release, aligning with the commercial adoption of the medium in India. Begum Akhtar’s discography spans several decades, with this album representing a segment of her extensive contributions to Indian classical and semi-classical vocal music.