Gat II

Ravi Shankar
6:34
Ravi Shankar composed Gat II in the 1960s. The instrumental sitar piece features tabla and follows the 16-beat teental cycle. It showcases his intricate melodic phrasing in Hindustani classical music.
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About Gat II

Gat II is an instrumental composition by Indian sitar virtuoso Ravi Shankar. The track appears on multiple recordings, though specific release details vary across editions. The performance features Shankar on sitar, accompanied by traditional Indian classical percussion instruments, including tabla. The piece follows the gat form, a structured improvisational section within dhrupad and khyal traditions of Hindustani classical music.

The composition has a duration of 6 minutes and 34 seconds. It exemplifies Shankar’s signature style, blending intricate melodic phrasing with rhythmic complexity. The track typically serves as the second gat in a multi-part performance, following an initial alap and preceding further improvisations or compositions. Recordings of Gat II often appear on albums released under labels such as Angel Records, EMI, and private archival releases, though the exact release year and label for specific versions are not uniformly documented.

Notable renditions of Gat II include live performances and studio recordings from the 1960s and 1970s, a period during which Shankar gained international recognition. The piece remains a staple in Hindustani classical music repertoires and is frequently studied for its technical and expressive elements. The tabla accompaniment, when present, is performed by collaborators such as Alla Rakha or other prominent percussionists of the era.

Shankar composed Gat II as part of his broader contributions to Hindustani classical music, which included innovations in raga presentation and cross-cultural collaborations. The track’s structure adheres to the conventions of teental, a 16-beat rhythmic cycle, though variations in tempo and improvisation occur across different performances. No official sheet music or definitive version exists, as the piece is traditionally transmitted through oral and aural traditions.