Kirwani: Essence Of A Raag

Color portrait of a male sitar player holding the instrument close to his shoulder, looking slightly to the side with a calm expression. He is wearing a golden traditional outfit, and the dark background highlights both the musician and the detailed structure of the sitar.
Krishna Bhatt
Ustad Zakir Hussain, legendary Indian tabla maestro and son of Ustad Alla Rakha.
Zakir Hussain
2 tracks 50m
Krishna Bhatt and Zakir Hussain released Kirwani: Essence Of A Raag, a 1990s Hindustani classical album featuring Raag Kirwani with komal re and dha swaras.
2 tracks • 50m
# Title
2 tracks Total: 50m

About Kirwani: Essence Of A Raag

Kirwani: Essence Of A Raag is a studio album featuring sitarist Krishna Bhatt and tabla player Zakir Hussain. The release centers on North Indian classical music, specifically the khayal and instrumental traditions of Hindustani raga performance.

Krishna Bhatt composed and performed the sitar renditions, while Zakir Hussain provided tabla accompaniment. The album was released on compact disc in an unspecified year. The label remains undocumented in available sources.

The recording consists of two tracks. The first track presents Raag Kirwani, a raga associated with the late evening or early night thaat (modal framework) and characterized by its use of komal re (flattened second) and komal dha (flattened sixth) in ascent and descent. The second track features Raag Ahir Bhairava, a morning raga derived from the Bhairav thaat, distinguished by its use of both shuddha re (natural second) and komal re in its phraseology.

The album emphasizes alaap-jor-jhala development in Raag Kirwani, followed by a structured gat-toda section with tabla support. The performance of Raag Ahir Bhairava incorporates slower vilambit and faster drut compositions, showcasing the interplay between sitar and tabla in traditional sawal-jawab (call-and-response) patterns.

Production details, including recording location, engineer, and mastering personnel, are not publicly documented. The release serves as an example of collaborative work between Bhatt and Hussain, both recognized for their contributions to Hindustani classical music in the late 20th century. No additional editions, reissues, or alternate formats have been confirmed.