India's Maestro Of Melody - Live Concert Vol. 1

India's Maestro Of Melody - Live Concert Vol. 1

1998
NB
Nikhil Banerjee
3 tracks 1h 1m
Nikhil Banerjee released India’s Maestro of Melody – Live Concert Vol. 1 in 1998, featuring a solo sitar performance of Raga Malkauns in the Hindustani tradition.
3 tracks • 1h 1m

About India's Maestro Of Melody - Live Concert Vol. 1

India’s Maestro of Melody – Live Concert Vol. 1 is a live album by sitarist Nikhil Banerjee, released in 1998 under the label Chhanda Dhara. The recording captures a solo performance in the Hindustani classical tradition and was issued in digital media format. The release date aligns with the concert event year, though the exact venue and recording date remain undocumented in available sources.

The album features three tracks centered on Raga Malkauns, a pentatonic raga associated with late-night performances in the Hindustani repertoire. The opening track, Raga Malkauns: Alaap – Jod, presents the exploratory alaap section followed by the rhythmic jod, establishing the raga’s melodic framework. The second track, Raga Malkauns: Vilambit Gat in Teen Taal, introduces a slow-tempo composition in the 16-beat Teen Taal cycle, showcasing Banerjee’s phrasing and tonal control. The final track, Raga Malkauns: Madhyalay Gat in Teen Taal, transitions to a medium-tempo rendition within the same rhythmic structure, emphasizing improvisational development.

As a posthumous release, the album compiles a performance from Banerjee’s later career, reflecting his mature interpretation of the raga. The label Chhanda Dhara specialized in archival and live recordings of Indian classical music during the 1990s, though specific production details for this volume are not widely published. The track selection and sequencing adhere to the conventional progression of a classical sitar recital, with no accompanying instrumentalists or vocalists credited.

The recording stands as one of several live documents of Banerjee’s work released after his death in 1986, preserving his approach to gayaki ang (vocal-style phrasing) on the sitar. No alternate editions or physical formats for this volume are confirmed in public records, and the digital release remains the primary accessible version. The album’s liner notes, if originally included, are not archived in standard discographic references.

Musicians

Record Label

Catalog Number: SNCD 71198