Drums of North & South India

Drums of North & South India

1967
Allah-Rakha-Khan
Allah Rakha Khan
Chatur Lal was an Indian tabla player.
Chatur Lal
Umayalpuram K. Sivaraman is a legendary Carnatic mridangam maestro and Padma Vibhushan awardee. Discover his biography, awards, training, and contributions to Indian classical percussion.
Umayalpuram K Sivaraman
KD
Kanai Dutta
5 tracks 47m
This 1967 World Pacific release features masters like Alla Rakha and Chatur Lal. It showcases the intricate "matra" system through diverse North and South Indian percussive traditions.
5 tracks • 47m

About Drums of North & South India

Released in 1967 under World Pacific Records, Drums of North & South India is a seminal compilation produced by Richard Bock, with introductions and narrations by the legendary Ravi Shankar. The album seeks to demystify the complex rhythmic structures of the Indian subcontinent for an international audience, functioning as both a high-level performance and a pedagogical guide. It brings together the titans of the era, including Ustad Alla Rakha and Pandit Chatur Lal from the Hindustani (North) tradition, and Carnatic (South) mridangam virtuosos Vellore Ramabhadran and Umayalpuram K. Sivaraman. 

This release is notable for capturing Chatur Lal shortly before his passing, preserving his crisp, high-velocity style that first introduced the West to the tabla as a solo instrument. The tracks provide a mathematical tour through various "Talas" or rhythmic cycles, measured in "Matras" (beats). The North Indian section features Alla Rakha performing an 18-minute exploration of Tala Sawarib, a challenging 11-beat cycle, while Chatur Lal demonstrates the 12-beat Ek Tal. Kanai Dutta rounds out the Northern representation with the 10-beat Jhap Tal and the ubiquitous 16-beat Teen Tal. These performances emphasise the "bols" or spoken syllables of the drums, which are echoed by the meditative drone of N.C. Mullick’s tambura. Connecting the regional divide, the South Indian contribution features an exemplary display of the 5-beat Khanda Chapu tala. 

The duet between Ramabhadran and Sivaraman accentuates the earthy, vibrant tones of the mridangam, in contrast to the metallic clarity of the North's tabla. By showcasing both traditions side by side, the album illustrates the shared DNA of Indian rhythm while celebrating their individual tonal languages. Today, the recording continues to be a foundational archival piece for students of percussion, delivering a clear look at the improvisational depth and structural integrity that define the 20th-century masters.

Record Label

Catalog Number: WP-1437