Mandala Release Group

Mandala

First released 2008 Sitar
A man in traditional attire playing a sitar with his eyes closed in a peaceful indoor setting.
Purbayan Chatterjee
Jayanthi Kumaresh is an Indian classical musician known for her expertise on the Saraswati veena.
Jayanthi Kumaresh
1 Release 7 tracks CD
Jayanthi Kumaresh released Mandala in 2008, a Carnatic veena album blending ragas like Karaharapriya with a devotional bhajan finale.

About Mandala

Mandala is a 2008 studio album by Indian veena exponent Jayanthi Kumaresh. Released on January 1, 2008, the album showcases Kumaresh’s interpretation of Carnatic classical music through instrumental compositions and vocal-instrumental collaborations. The primary format of the release remains unspecified in available documentation, though it circulated in physical and digital distributions.

The album comprises seven tracks that explore ragas and traditional forms. Kumaresh opens with Raga Hansadhwani: Alap, a slow, meditative exposition of the raga on the veena. She follows with Raga Hansadhwani: Vadhya Prabandha, a structured instrumental piece that blends rhythmic and melodic development. The second half of the album features Raga Karaharapriya: Alap, a detailed alapana in the expansive Karaharapriya raga, and Raga Karaharapriya: Jorh - Jhalla, a faster-paced section emphasizing rhythmic interplay. The track Vadhya Prabandha further highlights instrumental dialogue, while Tabla-Mridangam focuses on percussive collaboration between tabla and mridangam.

Kumaresh concludes the album with ‘Payoji Maine Ram Ratan’ - Bhajan, a devotional bhajan rendered in a semi-classical style. The composition integrates veena accompaniment with vocal elements, though the contributing vocalist remains undocumented in public sources. The album label, if formally associated with a specific record company, is not confirmed in available records.

Mandala exemplifies Kumaresh’s approach to Carnatic veena performance, combining traditional raga elaboration with structured instrumental forms. The release date and tracklist derive from archival references, but additional production details, including recording locations or session musicians beyond percussionists, are not fully cataloged.